The second-floor apartment incarnates, in a play of geometric pattern and out of con­trol components, the growth, evolution and allocation of elements of nature, defining a geometric status of landscape composition. Valentina Perazzini, through interven­tions on the wall and on the floor, trough some homages to the pre-existing clay decorations and even through contributions inspired by the visible electric system, evokes her own search for cataloging and ordering the vital component. The intent is to arrive at the origin of multiple observations en plein air. Causes of photographic incursions and mathematical models of plant components.
Through the repetition of patterns and structural motifs, the walls reflect the need for a perspective cage able to guide a non-linear gait for the visitor. A spectator wrapped and dragged inside the backdrops that recall the plumbing of the ancient botanical greenhouses, of gardens which have disappeared. Chisels between collages impos­sible to distinguish from the sum of their parts, as well as parrot feathers inserted in the interstices of the pipes, or projections filtered by decorative plants, give back to the rooms the tensions of forces of nature tamed by marks. No human presence seems to have survived the passage of environmental reticulates which, in repelling the gaze, shape it and hypnotize it; capturing the inability to register the contingency of a non-compliant ecosystem. A non-mimetic habitat that probably, in a distant fu­ture or in an earlier past, has forever alienated man.